A combination of black onyx and hand-patinated fibreglass gives the artworks a sense of temporal decay, as De Cotiis expresses on the surface of his materials the corrosion and sedimentation that affects ancient objects over time. Searching throughout history in the manner of an ethnologist, the artist seeks classical elements to project into the future, for future archaeologists to rediscover.

A combination of black onyx and hand-patinated fibreglass gives the artworks a sense of temporal decay, as De Cotiis expresses on the surface of his materials the corrosion and sedimentation that affects ancient objects over time. Searching throughout history in the manner of an ethnologist, the artist seeks classical elements to project into the future, for future archaeologists to rediscover.

THE CURATOR’S EYE

THE CURATOR’S EYE

PERNILLE VEST

A combination of black onyx and hand-patinated
fibreglass gives the artworks a sense of temporal decay,
as De Cotiis expresses on the surface of his materials
the corrosion and sedimentation that affects ancient
objects over time. Searching throughout history in
the manner of an ethnologist, the artist seeks classical
elements to project into the future, for future archae-
ologists to rediscover.

A combination of black onyx and hand-patinated
fibreglass gives the artworks a sense of temporal decay,
as De Cotiis expresses on the surface of his materials
the corrosion and sedimentation that affects ancient
objects over time. Searching throughout history in
the manner of an ethnologist, the artist seeks classical
elements to project into the future, for future archae-
ologists to rediscover.

View Collection

PERNILLE VEST

A combination of black onyx and hand-patinated
fibreglass gives the artworks a sense of temporal decay,
as De Cotiis expresses on the surface of his materials
the corrosion and sedimentation that affects ancient
objects over time. Searching throughout history in
the manner of an ethnologist, the artist seeks classical
elements to project into the future, for future archae-
ologists to rediscover.

A combination of black onyx and hand-patinated
fibreglass gives the artworks a sense of temporal decay,
as De Cotiis expresses on the surface of his materials
the corrosion and sedimentation that affects ancient
objects over time. Searching throughout history in
the manner of an ethnologist, the artist seeks classical
elements to project into the future, for future archae-
ologists to rediscover.

View Collection

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